compositions

arrangements for orchestra and symphonic band

2016

SYMPHONIC QUEEN

Villa María, Argentina

Symphonic arrangement of “The Show Must Go On” by Queen performed by the Symphonic Orchestra of Villa María.

2014

SYMPHONIC SODA STEREO

Villa María, Argentina

Symphonic arrangement of “Prófugos” by Soda Stereo performed by the Symphonic Orchestra of Villa María.

2012

ENERGÍA EÓLICA COMPOSED FOR CONCERT BAND

OPSU, Goodwell, Oklahoma, USA

A three movement piece written for the OPSU Concert Band.

audiovisual

2018
2017

IMPROMATES – DANCE

University of York, UK

Study of combinatory procedures with percussion and audiovisual material. This is part of the Impromates series and it proposes a conversation of movements and sounds around the act of drinking mate.

2013

DRIVING MISS DAISY / THEATRE MUSIC

OPSU, Goodwell, Oklahoma, USA

A composition for OPSU’s theatre performance of Driving Miss Daisy, for piano solo.

music for soloists and ensembles

12 07 2017

ISH ENSEMBLE PERFORMS STUDY FOR COMBINATORY PROCEDURES FOR ENSEMBLE

The Crescent Community Venue, York, UK

A study of open form compositions for ensemble. This piece is part of a study of open forms and combinatory procedures. Is based on melodic and rhythmic structures of Chacarera, and for open instrumentation.

23 04 2017

ERHU TALES / MOVEMENT 1 PERFORMED BY JIEYU ‘FISH’ LIU (ERHU)

University of York, UK

A three movement piece for solo erhu exploring Argentinian music sounds in collaboration with the performer, Jieyu ‘Fish’ Liu.

11 04 2017

TO WAONDER, PERFORMED BY JIEYU ‘FISH’ LIU (ERHU), LUYI WANG (ERHU), ATHENE BROAD (FLUTE)

University of York, UK

A piece that has been crafted together with erhu player Jieyu ‘Fish’ Liu combining traditional elements from erhu music with contemporary approaches.

07 10 2015

ENCUENTROS / FULL ALBUM

Universidad Nacional de Villa María, Argentina

Encuentros is part of the final project of my undergraduate studies in UNVM. The music is about dialogue and the different possibilities of musical discourse as a way of narrative.

2017

THROUGH THE MOOR, COMPOSED FOR STRING QUARTET

University of York, UK

The piece explores some percussive and timbrical possibilities of the strings within very soft to extremely creaky sounds. Most of the extended techniques are inspired in a popular music approach to the strings, especially in some tango effects.

2016

PLÁTICAS BAJO EL SOL, COMPOSED FOR ELECTRIS BASS AND FLUTE

Córdoba, Argentina

A piece written for Los Flanagans, Colombian duet, winner of the Bank of Colombian Contemporary Performers Prize.

2014

BALBUCEOS, COMPOSED FOR ELECTRIC BASS

Córdoba, Argentina

A piece written for Los Flanagans, Colombian duet, winner of the Bank of Colombian Contemporary Performers Prize.

2014

MEDITACIÓN, COMPOSED FOR CLARINET AND PIANO

Córdoba, Argentina

A work written for performer Inés Frete for her conservatory final exam.

vocal music

2022
Ponencia

MEMORIAS DEL CAMINO

Universidad Nacional de Villa María, Argentina

Memorias del Camino with stage production by Valeria Urigu.

artículo por Manuel Reyes (spanish)
press (spanish)
TV (spanish)
website

2019

MEMORIAS DEL CAMINO / CHAMBER OPERA

Universidad Nacional de Villa María, Argentina

Chamber opera for six soloists, reciter and small ensemble. Based on texts by Atahualpa Yupanqui.

2019

STUDY 4 / STUDY OF COMBINATORY PROCEDURES FOR THREE VOICES AND A RECITER

University of York, UK

This piece is part of a study of open forms and combinatory procedures. Study 4 is for three female voices and a reciter based on a text that discusses decolonization.

2014

HOMO LUDENS, COMPOSED FOR VOCAL ENSEMBLE, FLUTE AND CLARINET IN Bb.

University of York, UK

A piece in 3 movements exploring playfulness through vocal performance.

scores
commentary on portfolio